Saturday, December 3rd, 2011
“Scooter and the Big Man” is a hypervideo music documentary exploring the friendship and musical / spiritual bond between Bruce Springsteen and Clarence Clemons. Produced via my participation in Mozilla Foundation’s amazing “Web Made Movies” project and the Popcorn.js HTML5 Media Framework.
Rooted in their legendary stomping grounds of Asbury Park, New Jersey, follow the story at the heart & soul of Springsteen’s E-Street band through a series of edited YouTube videos populated by Popcorn’s YouTube plug-in. Shuffle through layers of moveable polaroid pictures embedded with Popcorn’s Google Map, Flickr, Twitter, and Google News plug-ins. Dig into Street Views of the historic bars and streets of Asbury Park, explore or submit your own Flickr pictures and populate the Twitter streams with your own updates.
I send out two emphatic thank yous: First to Anna Sobiepanek who is the programming lead on this project and one of the lead developers working on Popcorn since its conception. Anna took the interactive heart and soul of this project and went to work massaging and advancing the Popcorn.js library to turn out our sweet Beta version reality, with speed and passion.
Second, a massive musical, heart and soul salute to Jake Clemons. It was during our own creative collaborations between music, video and interactivity ( Love’ll Never Change | A Fool in Love ) that we learned the sad news of the death of Jake’s iconic uncle, Clarence Clemons. Jake is a musical force, an amazing soul and is burning the Clemons musical fire warmly and brightly in our collective road ahead.
This hypervideo experience is rooted in my passion for story telling and the goal of creating meaningful online experiences that resonate and integrate with people’s lives. It comes out of my learning and explorations with Mozilla Foundation’s amazing Web Made Movies community and the amazing Popcorn.js HTML5 javascript library that drives its passionate forarys into the future of interactive video and the open web. This prototype is also a result of my membership and training in the wonderful P2PU online education community.
Let me know what you think and I’d be interested in hearing of any interactive story experiences that have really resonated with you in the past couple of years. What works? What doesn’t? It remains new and evolving territory for experimentation and learning.
Tags: Anna Sobiepanek, bruce springsteen, clarence clemons, deiren masterson, html5, jake clemons, mozilla, mozilla foundaiton, popcorn, popcorn.js, relative strangers, Relative Strangers Interactive, scooter and the big man, web made movies
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Monday, September 19th, 2011
Creative Commons Licence from SBC9
I live in a city. Now there’s any number of problems that can scare a person about a city, violence, crowds, pollution… For me it’s just one thing: Grid lock. Sure, everyone gets frustrated by it, angry. It’s not a pleasurable thing. But me, it actually scares me. My knuckles turn white, I start sweating, my heart rate picks up, my mouth gets dry, and I run from it, like I do my imagination in a midnight woods. It’s a bad thing, so call me a coward, but I just don’t want to get involved. That’s when I head north to escape to the open fields, the fresh air, the sandy beaches and pristine waters, joining the Friday night traffic that stretches like a tapeworm on Hwy 400. I guess that’s why they tell you to face your fears.
But there’s something else out there on those bare county roads. Not a thing so much as a business, a rare trade, and one particular to these parts of Ontario. As you crawl into Perkinsfield, in a township called Tiny, past summer signs that boast of giant “asparagus – 20 feet”, you’ll find the first hint of their kind. Just off the dirt shoulder, where brake lights are filtered by dust, sits the truest answer to grid lock. This one’s an old TTC street car, propped up on a set of aimless tracks. The trolley was carted up to these parts a year ago, retired from its public duties and, under a fresh coat of paint, found a new persona. The RED ROCKET was freshly toasted as the latest addition of the Chip Wagon industry.
Yes the Chip Wagon. Whether you’ve bathed in the masterful brilliance of a “fry” well done or suffered in the bowels over a bad batch of gravy, these double parked beauties are a salute to the idea of stop and go. Locomotive burger shacks, a Meals on Wheels of sorts. Sure it’s not low fat health food. If you’re lethargically overweight, with high cholesterol, maybe you should reconsider that meal plan, and if you’re an ardent supporter of the benefits of trail mix, then drive on. But there’s no denying the place they have in the landscape.
In Tiny there are three, a trinity of sorts. PERKIE’S is the cleverly named trailer hitch cabin that sits by the amber flash crossroads of Perkinsfield. The Red Rocket is an eye catcher that’s opened up just down the road, the smell of competition wafting out of the smoke stacks or maybe that’s poutine. But that would be Vinnie’s, they serve poutine. The Grand Daddy of the bunch, Vinnie’s is the blue and white reformed ice cream truck, whose tires have dug deeper with each spring thaw. They’ll have seen 16 summers this year. Their flabby rubber and grinding rims assured me that this vehicle has no grand illusions of global road trips in its future. Vinnie was the founder and the man who first applied the emergency brake off the main drag in Lafontaine. Whether it was careful market research or a dwindling gas gauge, it’s there he stayed to build his reputation each summer since.
In the industry of Chip Wagons, a trade that lives and dies on word of mouth, your reputation is your prize. Everyone knows this. Greg Forget who now carries the spatula behind Vinnie’s banks on it, as do the big boys like McDonalds. No the mighty McD isn’t a wagon but Vinnie’s is, after all, in the same business. It’s the burger, fries and coke, three words that should be added to the Constitution. There’s our distinct society. The car and the burger and fries. Whatever you might think is our cultural identity, that’s a huge piece of it right there. Of course the great scourge has become fat. Deep fried means tasty and deep fry means fat, right! I could hardly contain my scared laughter when I read about Procter and Gamble’s latest invention called OLESTER. A fake fat, what they call polyester sucrose that tastes like fat without the fat content. Polyester was something I wore in the 70’s, not something I want to ingest. The FDA approved it with the mention of the possible side effects for the digestive system. it seems that any large dosage of OLESTER, that is anything larger than a bag of potato chips, turns it into an instant laxative. And, ok ya, it removes all nutritional value from the food as the food can’t be digested. Oooh yummy, sounds great to me. To think how many of these things go on behind those vaulted doors is a little unnerving. But that’s the world of big business, where massive quantities are sold, and huge amounts of money are stuffed away.
That’s where such Frankenstein theories dwell. And then things get smaller, and you slow down a bit and there it is again, just off to the side of the road, a little smoke stack pumping out that familiar smell and some guy’s smothering his poutine with ketchup. It’s a pure Canadian pit stop and it’s here in our backyards.
NOTE: I published this story some summers ago, hence the OLESTER reference may be dated, at least I certainly hope it’s dated and remained so, but none the less I felt this piece deserved it’s timely place on Relative Strangers as I look forward to my own trip up those famous autumn roads to cottage country this week.
Tags: burger, chip wagons, coke, deiren masterson, fries, lafontaine, perkensfied, relative strangers, Relative Strangers Interactive
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Wednesday, August 17th, 2011
The CBC is set to premiere the “1 Day, 24 Hours, 34 Million Lives” UGC documentary this weekend (August 21st to be exact) and all we UGC contributors are of course a tingle with the prospect of having our submissions edited in off the cutting room floor – or perhaps that’s a need to visit the loo, can’t be sure, will figure it out later. So it comes down to this, as the Bard would have put it, the chance to be CBCeen or not to be CBCeen – that is the question. The catch is, we don’t know, Mom’s the word, so everyone needs to watch to find out.
Of course, being in Cambridge, UK during the screening adds a double edge. I’m going to have to watch this thing online in order to follow through on this great baited mystery that the CBC has dangled before us. But the question is, is the show being geo-blocked? If it is, and chances are yes as most every CBC program is, except perhaps the “George with the incredibly long last name that starts with S” show, then it will be a case of “not to be CBCeen”. I would have a problem with this, because as I mentioned on entering my piece from Cambridge, UK, (regardless of whether it’s in or not) many of we 34 million Canadians aren’t even in Canada, and I’m speaking as a 4th generation Canadian, whose Irish ancestors crossed the Atlantic on a bloody sailboat in 1830 at the kind bequest of the Brits (note generational sarcasm). Putting aside Canada’s frequent flyer national health care patriots, Canada is where Canadians are, and taxpaying one’s at that. So pop the show on the internet please, and open up the geo-block, at the very least to England where even the Canadian Head of State (you know, Mrs. Queen) can sit back with a bowl of microwaved popcorn and see what those crazy Canuck commoners get up to.
Tags: 1 day, analogue synthesizers, cambridge, cbc 1 day, deiren masterson, lollipops + goosebumps, Relative Strangers Interactive
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Thursday, July 14th, 2011
Photography’s magical arrival many a day ago surfaced the myth and superstition that a photograph could capture (i.e. trap) your soul. A myth quickly banished to remedial cultures part of the challenge of the digital age, when image is built on mounds of zeroes and ones, has been to infuse the visual story with the emotional graininess of the human experience. I just came across the digital artistry of photographer Jamie Beck and motion graphic artist Kevin Burg practicing in the most unlikely of places: animated GIFs. They call their works “Cinemagraphs”. The subtle magic they spin through their collective eye and composition is beautiful. Check out the selection below and tell me if you haven’t felt the wand spin overhead.
Tags: animated gifs, cinemagraphs, digital lives, Digital Photography, jamie beck, kevin burg, relative strangers, Relative Strangers Interactive
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Friday, June 24th, 2011
Here it is folks! The music video I’ve been working on for Jake Clemons’ amazing new song “Love’ll Never Change” off his latest EP “It’s On”. Hope you enjoy it! Jake and I had a blast filming this on a gorgeous sunny day in one of the glorious parks in Cambridge, UK. An enormous tip of the hat, thank you and hug to Ellie Stoneley (@E11ie5) the glue and positive spirit behind bringing Jake and I together to produce this and more wonderful film and music content during his recent European tour and UK dates. Creativity rules! We shot the video on a glorious, blustery sun filled day and wrapped it before the sun went down – early enough to enjoy an intimate on location wrap party at The Cambridge Beer Festival (see Jake Clemons Musical Meanderings at Cambridge Beer Festival )
This video is dedicated to the life and music of Jake’s beloved uncle, the magnificent “Clarence Clemons” who was laid to rest yesterday. God bless you Jake, and in your own words “Love’ll Never Change”.
Tags: cambridge, clarence clemons, deiren, deiren masterson, Ellie Stoneley, it's on, jake clemons, love'll never change, music video, relative strangers, Relative Strangers Interactive
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Friday, April 29th, 2011
The funeral of Pope John Paul II was undoubtedly the largest attended funeral in the history of the world. 4 million people descended upon the Vatican in a spontaneous outpouring of love and gratitude for his life.
8 Million Feet to Rome is a very personal film; a film I made as one of the four million pilgrims who attended his historic wake and funeral. I had the privilege of meeting and receiving a blessing from Pope John Paul II on two different occasions. There was a gravitational pull happening in the world on those days following his death on April 2nd, 2005. On the eve of his funeral, converging at the Papal Archbasilica of St. John Lateran, I found and followed the lives of eight young Canadians amongst the four million who spontaneously descended on the Vatican to celebrate Pope JPIIs historic life.
Tags: 8 million feet to rome, beatification, deiren masterson, john paul II, John Paul II Funeral, JPII beatification, JPII funeral, pope john paul II, Pope John Paul II Beatification, Relative Strangers Interactive
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Thursday, April 14th, 2011
From concepts of “the singularity” to “the robotic moment” to the hours we spend on screen, to the digital online layer that now constitutes significant parts of our lives; the communion thirst I talked about in my previous post has still got a hold on me. I was struck with resonance on the subject tackled by MIT professor Sherry Turkle in her book “Alone Together: Why we expect more from technology and less from each other“. It was her reference to the term “alive enough” which ‘kids’ are using as jargon to describe the idea that simulated experiences of life are just as good as real experiences, that added some inspiration to my latest little ditty. By the way, the NPR radio program “Being” just did a great interview with her that you should check out: “Alive Enough – NPR/ Being Podcast”
Jenny Bend has got a thousand friends
Gathered close inside her social web
They’ll be there for her until the very end
Of her session
Her last online session
Her online obsession makes her feel
Alive enough
You, I know that you’re feeling down
You, need someone to be around
You, need some authentic feel and touch
You, need to be liked so much
I know
William B is a somebody
For every thought he has he’ll share a clever tweet
Keeps him there until he has the chance to meet
His reflection
His online reflection
Your online reflection will make you feel
Alive enough
You, I know that you’re feeling down
You, need someone to be around
You, need some authentic feel and touch
You, need to be liked so much
I know
Jean Éclair checks in everywhere
So if you miss him you can see he’s clearly there
Almost next to you and somehow off somewhere
In the heavens
The great online heavens
The online cloud heaven will make you feel
Alive enough
You, I know that you’re feeling down
You, need someone to be around
You, need some authentic feel and touch
You, need to be liked so much
I know
So like a baby bird in an apple tree
Who says to Ma, ” I know I got these growing wings
And I’ll fly away but when you hear me sing
We’ll be together
We’ll be together
We’ll be together and we’ll feel
Alive now”
You, I know that you’re feeling down
You, need someone to be around
You, need some authentic feel and touch
You, need to be liked so much
I know
Tags: Alive Enough, Alone Together, Being, deiren masterson, facebook, failed solitude, hope, Human Experience, Krista Tippett, loneliness, MIT, MIT Initiative on Technology and Self, NPR, Relative Strangers Interactive, Robotic moment, Sherry Turkle, soical networks, twitter
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