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“Scooter + The Big Man” Hypervideo Music Documentary – Popcorn.js

Saturday, December 3rd, 2011

“Scooter and the Big Man” is a hypervideo music documentary exploring the friendship and musical / spiritual bond between Bruce Springsteen and Clarence Clemons. Produced via my participation in Mozilla Foundation’s amazing “Web Made Movies” project and the Popcorn.js HTML5 Media Framework.


scooter & the big man popcorn.js


Rooted in their legendary stomping grounds of Asbury Park, New Jersey, follow the story at the heart & soul of Springsteen’s E-Street band through a series of edited YouTube videos populated by Popcorn’s YouTube plug-in. Shuffle through layers of moveable polaroid pictures embedded with Popcorn’s Google Map, Flickr, Twitter, and Google News plug-ins. Dig into Street Views of the historic bars and streets of Asbury Park, explore or submit your own Flickr pictures and populate the Twitter streams with your own updates.


scooter & the big man website


I send out two emphatic thank yous: First to Anna Sobiepanek who is the programming lead on this project and one of the lead developers working on Popcorn since its conception. Anna took the interactive heart and soul of this project and went to work massaging and advancing the Popcorn.js library to turn out our sweet Beta version reality, with speed and passion.


Second, a massive musical, heart and soul salute to Jake Clemons. It was during our own creative collaborations between music, video and interactivity ( Love’ll Never Change | A Fool in Love ) that we learned the sad news of the death of Jake’s iconic uncle, Clarence Clemons. Jake is a musical force, an amazing soul and is burning the Clemons musical fire warmly and brightly in our collective road ahead.


This hypervideo experience is rooted in my passion for story telling and the goal of creating meaningful online experiences that resonate and integrate with people’s lives. It comes out of my learning and explorations with Mozilla Foundation’s amazing Web Made Movies community and the amazing Popcorn.js HTML5 javascript library that drives its passionate forarys into the future of interactive video and the open web. This prototype is also a result of my membership and training in the wonderful P2PU online education community.


Let me know what you think and I’d be interested in hearing of any interactive story experiences that have really resonated with you in the past couple of years. What works? What doesn’t? It remains new and evolving territory for experimentation and learning.


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Deep Fried Dreams Revisited

Monday, September 19th, 2011

Deep Fried Dreams Revisited

Creative Commons Licence from SBC9


I live in a city. Now there’s any number of problems that can scare a person about a city, violence, crowds, pollution… For me it’s just one thing: Grid lock. Sure, everyone gets frustrated by it, angry. It’s not a pleasurable thing. But me, it actually scares me. My knuckles turn white, I start sweating, my heart rate picks up, my mouth gets dry, and I run from it, like I do my imagination in a midnight woods. It’s a bad thing, so call me a coward, but I just don’t want to get involved. That’s when I head north to escape to the open fields, the fresh air, the sandy beaches and pristine waters, joining the Friday night traffic that stretches like a tapeworm on Hwy 400. I guess that’s why they tell you to face your fears.


But there’s something else out there on those bare county roads. Not a thing so much as a business, a rare trade, and one particular to these parts of Ontario. As you crawl into Perkinsfield, in a township called Tiny, past summer signs that boast of giant “asparagus – 20 feet”, you’ll find the first hint of their kind. Just off the dirt shoulder, where brake lights are filtered by dust, sits the truest answer to grid lock. This one’s an old TTC street car, propped up on a set of aimless tracks. The trolley was carted up to these parts a year ago, retired from its public duties and, under a fresh coat of paint, found a new persona. The RED ROCKET was freshly toasted as the latest addition of the Chip Wagon industry.


Yes the Chip Wagon. Whether you’ve bathed in the masterful brilliance of a “fry” well done or suffered in the bowels over a bad batch of gravy, these double parked beauties are a salute to the idea of stop and go. Locomotive burger shacks, a Meals on Wheels of sorts. Sure it’s not low fat health food. If you’re lethargically overweight, with high cholesterol, maybe you should reconsider that meal plan, and if you’re an ardent supporter of the benefits of trail mix, then drive on. But there’s no denying the place they have in the landscape.


In Tiny there are three, a trinity of sorts. PERKIE’S is the cleverly named trailer hitch cabin that sits by the amber flash crossroads of Perkinsfield. The Red Rocket is an eye catcher that’s opened up just down the road, the smell of competition wafting out of the smoke stacks or maybe that’s poutine. But that would be Vinnie’s, they serve poutine. The Grand Daddy of the bunch, Vinnie’s is the blue and white reformed ice cream truck, whose tires have dug deeper with each spring thaw. They’ll have seen 16 summers this year. Their flabby rubber and grinding rims assured me that this vehicle has no grand illusions of global road trips in its future. Vinnie was the founder and the man who first applied the emergency brake off the main drag in Lafontaine. Whether it was careful market research or a dwindling gas gauge, it’s there he stayed to build his reputation each summer since.


In the industry of Chip Wagons, a trade that lives and dies on word of mouth, your reputation is your prize. Everyone knows this. Greg Forget who now carries the spatula behind Vinnie’s banks on it, as do the big boys like McDonalds. No the mighty McD isn’t a wagon but Vinnie’s is, after all, in the same business. It’s the burger, fries and coke, three words that should be added to the Constitution. There’s our distinct society. The car and the burger and fries. Whatever you might think is our cultural identity, that’s a huge piece of it right there. Of course the great scourge has become fat. Deep fried means tasty and deep fry means fat, right! I could hardly contain my scared laughter when I read about Procter and Gamble’s latest invention called OLESTER. A fake fat, what they call polyester sucrose that tastes like fat without the fat content. Polyester was something I wore in the 70’s, not something I want to ingest. The FDA approved it with the mention of the possible side effects for the digestive system. it seems that any large dosage of OLESTER, that is anything larger than a bag of potato chips, turns it into an instant laxative. And, ok ya, it removes all nutritional value from the food as the food can’t be digested. Oooh yummy, sounds great to me. To think how many of these things go on behind those vaulted doors is a little unnerving. But that’s the world of big business, where massive quantities are sold, and huge amounts of money are stuffed away.


That’s where such Frankenstein theories dwell. And then things get smaller, and you slow down a bit and there it is again, just off to the side of the road, a little smoke stack pumping out that familiar smell and some guy’s smothering his poutine with ketchup. It’s a pure Canadian pit stop and it’s here in our backyards.


NOTE: I published this story some summers ago, hence the OLESTER reference may be dated, at least I certainly hope it’s dated and remained so, but none the less I felt this piece deserved it’s timely place on Relative Strangers as I look forward to my own trip up those famous autumn roads to cottage country this week.


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Cinemagraphs – Putting a Soul into Animated GIFs

Thursday, July 14th, 2011

Photography’s magical arrival many a day ago surfaced the myth and superstition that a photograph could capture (i.e. trap) your soul. A myth quickly banished to remedial cultures part of the challenge of the digital age, when image is built on mounds of zeroes and ones, has been to infuse the visual story with the emotional graininess of the human experience. I just came across the digital artistry of photographer Jamie Beck and motion graphic artist Kevin Burg practicing in the most unlikely of places: animated GIFs. They call their works “Cinemagraphs”. The subtle magic they spin through their collective eye and composition is beautiful. Check out the selection below and tell me if you haven’t felt the wand spin overhead.


A Busy Day in Manhattan


Shave and a Haircut


Anna Sees Everything


Meet Me at the Bar


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Pete and the Kitchen Sink with Jake Clemons

Tuesday, July 12th, 2011

A little post that puts the gloriously strange into Relative Strangers. Jake Clemons jams with Pete and the Kitchen Sink (Pete Towers) in Cambridge, UK with his one of a kind, hand made kitchen sink slide guitar, refurbished from its dish washing days.


Check out Pete’s page – peteqwerty51
http://youtu.be/ohBAUtRQmU4


Jake Clemons
http://jakeclemons.com/file/Intro.html


Tip of the hat to Ellie Stoneley who organized this show.




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Jake Clemons Love’ll Never Change

Friday, June 24th, 2011

Here it is folks! The music video I’ve been working on for Jake Clemons’ amazing new song “Love’ll Never Change” off his latest EP “It’s On”. Hope you enjoy it! Jake and I had a blast filming this on a gorgeous sunny day in one of the glorious parks in Cambridge, UK. An enormous tip of the hat, thank you and hug to Ellie Stoneley (@E11ie5) the glue and positive spirit behind bringing Jake and I together to produce this and more wonderful film and music content during his recent European tour and UK dates. Creativity rules! We shot the video on a glorious, blustery sun filled day and wrapped it before the sun went down – early enough to enjoy an intimate on location wrap party at The Cambridge Beer Festival (see Jake Clemons Musical Meanderings at Cambridge Beer Festival )


This video is dedicated to the life and music of Jake’s beloved uncle, the magnificent “Clarence Clemons” who was laid to rest yesterday. God bless you Jake, and in your own words “Love’ll Never Change”.



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Jake Clemons and A Fool in Love

Thursday, June 2nd, 2011

Otherwise known as ‘Jake Clemons – song in a Grantchester pub’, this is a beautiful live recording of Jake’s song “A Fool in Love”. Jake and I met this week on the UK leg of his European tour as he passed (and still passes) through Cambridge. We spent a couple of days filming music and stories all over the place. This is a particularly great one. Filmed at The Green Man Pub in Grantchester, UK Jake does a soulful version of his song “Fool in Love”.


We also talked music and spirituality for a documentary series I’ve started exploring what this means to different artists who sing, write and play from that deep well in the heart and soul that speaks with a naked, truthful and resonating voice. Keep your eyes peeled here for more on that.



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Lollipops + Goose Bumps for 1 Day

Thursday, April 28th, 2011


This is a demo of a tune I wrote a year ago when I landed in the UK to join my wife. I haven’t done a serious recording of yet but I really love this tune. It makes me feel hopeful every time I play it. I still don’t have a final name for it. I called it “Carnival” at first just because that’s the feel it kind of gives me, a positive little piece or so it feels like. Maybe I’ll call it “Lollipops and Goose Bumps”. I’m open to suggestions.


Anyway, I want to record an interesting version of it on April 30th, and video the recording, as a possible upload to the CBCs 1 Day project, which is of course a bite on the Day in a Life YouTube thing that happened last year but appears worthy none the less. I’m sort of revising this as I go, I’ll just see what comes together for Saturday, but here’s a few ideas I have right now:


The Age of Touch

Wednesday, March 30th, 2011

2011 marks the centenary year of Marshall McLuhan’s birth. I mention this because in 2007 I made a film on his life called “McLuhan Way: In Search of Truth”. I opened the film standing by his gravestone, stenciling out the words “The Truth Shall Make You Free” that were engraved upon it and the thought that resonated deepest within me was this: “In our age of constant communication, with our seemingly obsessive desire for connection, are we witnessing an age of greater communion or perhaps an even deeper loneliness?”


Loneliness is failed solitude

I love the age of the digital revolution. It opened the doors for me as a storyteller. I praise it’s leveling of the playing field. I participate. And I watch in wonder at the peaks of possibility that it takes us to and the depths of darkness it can dredge. In all, it seems there’s a pretty blatant thirst for communion going on – on a global scale. But where is this thirst taking us? Incredible new tools of communication, unprecedented openness and access to information, powerful new ways to be connected, all markers of our time. But in the age of social media, as we collectively expose more fragments of ourselves than ever before and exist on virtual validation scales of likes, retweets, comments, shares and more, what is the connection we’re experiencing?


Talking about her new book “Alone Together”, MIT professor Sherry Turkle said, “I think there are ways in which we’re constantly communicating and yet not making enough good connections, in a way that’s to our detriment, to the detriment of our families and to our business organizations.” What’s at play here? Why does this have such a ring of truth?


We’re not newbies to this whole communications revolution. It’s goes beyond the TV and the radio. We boil it back to the onset of electricity. Amazing as our technological and cultural changes have been in so many ways through this period it seems astounding that in even more ways we still don’t have a handle on where we’re going and what it’s going to be like when we get there. In these terms McLuhan’s voice reverberates as relevant as ever. In his famous 1964 book “Understanding Media”, McLuhan floated out this now well documented truism: “In the electric age, we wear all mankind as our skin.”


Skin. Touch. Something huge is happening between us and our tools of communication or extensions of man as McLuhan dubbed them and it dramatically involves the dynamic of human relationship and touch. Kevin Kelly gave an interesting talk recently on the evolution of the book highlighting some perspectives on the technological now and his new book “What Technology Wants”, in which he noted that “we are now becoming people of the screen”. Derrick DeKerkhove, former Director of the McLuhan Program in Culture and Technology and author of the “Skin of Culture” called the screen “the new connective thinking system“. But we’re pushing past thinking and past tools of communication into tools of being. Online being. Virtual being. Beyond extensions they are our other selves. I know one young writer who took a Facebook detox this year, banning herself for a period from what she described as “this blue and white overlay that we pin over the top of our normal tangible lives.” While incredible new connections open up, some massive tensions are being exposed too.


I’ve still not pinpointed my relationship with social media or my feelings toward it. The information sharing is awesome but as we start getting into evaluating people’s societal worth by their social media clout something starts to turn in my very core. “Relative Strangers” is an honest reaction to the use of terms like “friends” and “followers” to describe how we are relating to each other in this digital here and now. The age of virtual, the life simulation, the blue and white layer fronting our lives.


From the body relationship grows

TV dominated much of my childhood and youth. But it was also a catalyst that sent me searching for an authentic experience of community in my post B.A. twenties. I spent 7 years living and working in the community of L’Arche Daybreak where I cared for people with developmental disabilities. I wasn’t alone. L’Arche is like a beacon for youth seeking a more truthful purpose and meaning in life. The lessons I learned there about real communion, about being present to one another, about simply BEING, and our value in the bodies and lives that we were born into, are now like a part of my skin. But L’Arche was founded on the body. The need to be physically cared for is at the root of L’Arche. It’s also the first lesson any of us learn in life. In an NPR interview for the program “Being” Jean Vanier, the revered founder of L’Arche, described L’Arche as a “community of the body not the word…from the body relationship grows and we begin to see that we are together”. It is an interview worth watching. I have embedded it below.


As we enter a new digital age where the body is becoming both central and peripheral, where touch is opening new magical relationships to our digital machines, where we are experiencing digital layers on our real lives and our real world experiences and investing so much of our time and attention in them, then it becomes drastically more important to truly understand what it means to be human.


The Wisdom of Tenderness from On Being on Vimeo.

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The Growth of Online Social Good

Monday, January 3rd, 2011

The Growth of Online Social Good from Deiren Masterson on Vimeo.



Highlights, stats and other treats offering a relative strangers glimpse at The Growth of Online Social Good in 2 minutes. A thank you to global tolerance as Associate Producer.

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Wanders Through Identiland – Episode V

Wednesday, November 24th, 2010


Wanders Through Identiland Ep. 5, Relative Strangers



This is Episode V of a continuing series called “Wanders through Identiland” – thought twisters and cartoons that explore our ever shifting understanding of identity and all its twists and turns.


Subscribe above for your dose of identitainment.



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